Lotus Post is a full-service audio post-production facility consisting of a group of unique, fully networked rerecording stages and studios. The facility has been technically engineered and ergonomically designed to streamline the workflow between the recording, editorial, and re-recording processes. Every workspace is completely integrated into the central machine room allowing each room to operate independently or share resources. The interior of the 6,000 square foot facility has a updated, post modern look and relaxed ambiance with its soft pastel interior.
STAGE ONE is the epitome of 21st century audio technology: Streamlined and powerful in capability. Capable of over 900 channel playback, the 53D x 31W x 18H, 1560 square foot, 7.1 ready STAGE ONE controls multiple Protools systems and contains dual, integrated ICON console interfaces housed in a custom frame along with a Martinsound Multimax EX monitoring system, 5500 watt THX spec JBL Cinema Array, and QSC Digital Cinema Amplifiers. The 28 foot wide, 2.35 aspect ratio film-screen, comes to life with an 11,000 lumen Christie high definition DLP projector for full 1920 x 1080 picture playback. With its Dolby alignment, command seating for 60, sound supervisor work areas, plug and play Blue Ray, DVD, Quicktime and post modern finish, STAGE ONE is the largest independently owned and operated mixing theater on the west side of Los Angeles and is the ideal screening room for your next private premiere.
Stage 2 Mixing Theater STAGE TWO is a self-contained 5.1 mixing environment perfect for theatrical film, television, and commercial projects.The two-operator dual ICON stage features is acoustically accurate with Dolby alignment and provides raised seating for 10. Its 18ft Stewert Micro Perf projection screen is illuminated by a 7000 lumen Christie DLP projector. The JBL Cinema speaker system has 2000 watts of power from QSC Digital Cinema Amplifiers. Monitoring in the room is controlled with the MultiMAX EX and Dorrough Loudness Meters. Clients can enjoy the privacy and comfort of their own private lounge with wet bar.
Stage 3 Mixing Room Rear
STAGE THREE is another self contained 5.1 mixing environment ideal for television and promotional projects, as well with serving as a spotting and cutting room for editors and producers. The Digidesign based pro tools system allows for an intimate setting with plenty of room for client seating. Monitoring in the room is controlled with Dorrough Loudness Meters.
Stage 4 ADR
STAGE FOUR (ADR) is a Digidesign based ADR/ Foley stage which comfortably accommodates principal or group sessions. The control room has been design to optimize the client and artist experience with seating for 10.The ADR stage has 17 foot ceilings, a full microphone compliment and a sophisticated, multi path, cueing and monitoring system.
Stage 5 ADR
STAGE FIVE (ADR 2) is a smaller form Digidesign based ADR/ Foley stage. This offers clients a more economical alternative to Stage Four, while still delivering magically tuned acoutsics for any ADR/VO/FOLEY project. Offering KRK Studio Monitors and 17 foot ceilings this room is ideal for any Promotional/ Video Game Voiceover or film and television ADR.
Stage 6 Mixing Room
STAGE SIX was created to service our reality television and music DVD clientele, the room features a Digidesign D-Command integrated into a 5.1 monitoring environment coupled with classic analog gear and appointments.
The CMR
THE CMR digitally links the entire facility, and has both standard definition Digibeta and high definition HDCAM SR video machines in house as well as direct DVD burners, ten terabyte server subsystem, Telos Zephyr ISDN and Digidesign Digidelivery. All the rooms can be cross patched via our custom designed integrated patch bays and routers.